
Every September, Duke’s climate program comes to New York for Climate Week. Over four years the assignment has covered a technology showcase on Governors Island, panels on extreme heat, climate risk, debt-for-nature swaps and the power grid, an afternoon of resilience sessions at the Nest Climate Campus, and an evening for alumni in a room high above the city, usually with an edit due the next day.
Duke asks for a wide library of photographs each year, pictures it can use in publications, articles and fundraising for the department and across the school. We can imagine discussions about mitigating climate change as pie in the sky, full of rainbows and butterflies. What I see with Duke is people dealing with hard numbers and business dynamics, trying to understand organizations from the inside and listening to the battles people are facing on the ground.


So I work the edges of the program: the ferry out to the island, the audience doubled in a conference-room window, the hand that goes up from the floor, the conversation that starts when a session ends. The city is in most of these frames, across the harbor, through the glass, behind a portrait, because where this work happens is part of what it is.


More commissioned work: commercial photography and commercial portraits.












